Monday, January 26, 2009

push: based on the novel by sapphire V1N3




this little independent victory one the grand jury and audience prizes at sundance this weekend. it stars mo'nique, mariah carey (serious!), and newcomer gabourey sidibe (who's getting mad raves). i won't go into a summary of the story, but this is the kind of thing i celebrate; the sometimes hectic and oft tribulated lives of black women. we are built for survival like the ancestors who came before us and that spirit souljahs on. i may cry, but i get on by.

see it + support!

the other day, i cried. i felt stupid. but you know what? fuck that day. that day is gone.

push: a novel by sapphire : interview with director lee daniels

Sunday, January 18, 2009

the readers : V1N3



Fully 21% of adult Americans did not read a book last year because they couldn’t, one of the worst rates in the rich world.

the principles : V1N3


oshun shrine - st. helena, south carolina

i'm into my second semester teaching for the East Bay Aspiring Young Scientists program through UC Berkeley. i'm working at two school sites, one in east oakland, the other more intensive work at santa fe in west oakland.

my first session with the 5th grade class at sante fe was
disas-tuh-russ. we had to have three interventions by a school administrator. one student i worked with became defeated by the chaos around him in the classroom. they were loud, rowdy, and blatantly arrogant.

at the end of class as they lined up at the door i asked them what holiday we celebrate monday (dr. king's bday) what important historical occurrence happens the following tuesday (our first black president is sworn in). i told them these men and this time are important in our history as a people and given their horrendous behavior i was ashamed of them. they went silent and were dismissed.

i meditated on that class the past few days; how can i reach them? how i can express to them
emphatically that if they don't get their shit together they are doomed? so i sat down to work out some aggressive personal development tools and organize my thoughts.

i hear myself say: 'something has been taken from you and i'm going to help you take it back. you will not make it if you do not get your mind and soul right, right now. this attitude you carry will lead you into incarceration and hardship in your young life. '

step 1. introduce the eight student principles (a guidance model developed by george washington carver)

1. Be clean both inside and out.

2. Neither look up to the rich or down on the poor.

3. Lose, if need be, without squealing.

4.Win without bragging.

5. Always be considerate of women, children and older people.

6. Be too brave not to lie.

7. Be too generous not to cheat.

8. Take your share of the world and let others take theirs.


i'm going to instruct each student to place this in a prominent place in their homes that they see daily. they will be put to task to exercise these principles into their daily lives and share with the class how they applied these principles.

step 2. introduce the seven principles (used in the foundation of the black panther school program)

Umoja (Unity)

To strive for and maintain Unity in the Community, Family, and Race.

Kujichagulia (Self-Determination)

To define ourselves, name ourselves, create for ourselves, and speak for ourselves.

Ujima (Collective Work and Responsibility)

To build and maintain our community together and to make our brother’s and sister’s problems our problems and to solve them together.

Ujamaa (Cooperative Economics)

To build and maintain our own stores and to profit from them together.

Nia (Purpose)

To make our collective vocation the building and developing of our community in order to restore our people to their traditional greatness.

Kuumba (Creativity)

To do always as much as we can, in the way we can, in order to leave our community more beautiful and beneficial than we inherited it.

Imani (Faith)

To believe in our heart in our people, our parents, our teachers, our leaders, and the righteousness and victory of our struggle.




Friday, January 16, 2009

thus, africa : V1N3




in my no-tv having life i often troll youtube geeking out on visual art, music video art, vintage music from my youth, or documentaries that make their way online. on occasion i'll find something from a show i do like that doesn't crush the brain.

one evening i found an episode from inside the actor's studio with dave chappelle. well cool, i thought! i *loves* chappelle and this series. i'm fascinated by chappelle's stories of his youth, his honesty about how he was dealing with fame, his subsequent escape, his creative process, and the realization that hollywood is a sick environment that can fuck people up. yet he still remains diplomatic. it simply wasn't a game he wanted to participate in anymore, that it compromised his humanity, which was far more precious to him than money. 'thus, africa'.

he will have you rolling as he reflects on experiences in his professional life; his glorious bombing at the apollo or what inspired the 'baby selling weed on the corner' routine (a classic from his HBO comedy special, killing em softly).

so he sets the record straight. yes he freaked out and as a practicing muslim he went to africa to meditate and cool out. but because he became this superstar he was under scrutiny. why the hell would you walk away from $50m, man? the real question is - why not? it came down to a simple realization that he was an artist who wasn't going to sell his soul to the devil by creating work that was socially irresponsible and so so he bounced.

after the dust settled he got his shit together and put on block party, an excellent concert documentary shot in brooklyn with jill scott, dead prez, mos def, the roots, common, badu, and for the first time in a long time, the fugees. this was a free community benefit and represents the more positive and productive kind of art chappelle wants to celebrate. if you adore chappelle and hip hop i highly recommend to check it.

on a side note (and i attribute this to my scandalous ways back in the day) but i swear, later in the show, chappelle is high - i mean blazed up, but he's cool. he's coherent and articulate, which some folks can be when they're blazed - even more so than when they're straight. herb can either free thought or obliterate it. but you have to take this into context. how chill would you be sitting for two hours in a studio with james lipton and a gang of acting students interested in the all about you. a bit overwhelming i would think.

Inside the Actor's Studio - Dave Chappelle.

Monday, January 12, 2009

check this out!: V1N3



in reading this excellent article from The Nation, i sought out the film, Welcome to New Orleans, a 58 min indie documentary by a Danish film crew made in the aftermath of katrina. the film focuses on community activist Malik Rahim (Common Ground Collective), as well as the vigilante residents of Aligers Pt. It is inspired to see how people came from across the country to help, but at times disturbing exploring the racial divide that exists in the south.

you can see the completely documentary here:

Welcome to New Orleans

Thursday, January 8, 2009

the riot: V1N3


riot cop - banksy

after a teaching session at glenview middle school today i headed to fruitvale BART station for a public protest. early new year's day, a young man, Oscar Grant, and several others were detained after BART police responded to a disturbance on the train. he was face down and restrained, then inexplicably, BART PD officer Johannes Mehserle, shot Grant in the back. the bullet ricocheted off the ground and into Grant's chest. he died at oakland highland a few hours later. he was 22 years old with a 4 year old daughter.

(Mehserle resigned from BART PD Wednesday. his attorney and the police officer's union are running interference to avoid having him interviewed by investigators).

local people were outraged, particularly young folks. i've been involved in protests many times over the years, even rioting when i was younger. i believe in peaceful civil disobedience. unless people are defending their right to gather and protest or fighting oppression. i'm not at all down with rioting just to riot. destruction for the sake of destruction does nothing to advance a cause. it has to have a purpose. if you're going to tare it down, put something else in its place. but i can understand the anger surrounding this.

what's a deeper issue is the institutional racism embedded in our culture. young black and latino men, are consistently profiled and perceived as a threat and one's perception defines one's reality. as liberal as the bay area is there are communities that are economically and culturally segregated, not unlike other urban areas in america. we're a culture often at odds with ourselves and our past for one simple reason : this country embraced slavery, which created a social hierarchy that exists to this day, just in more subtle and covert ways.

my decision to participate in the protest included my own frustrations with the system. it's a slippery slope when you believe yourself to be a functioning member of society, but yet still feel a bit wary, a sort of outsider, moving through that society. i never really feel that the police are on my side, because they don't essentially represent my side.

it was cool to hear young people speak up at the rally. particularly impressive was admitting we as a people need to get our shit together with ourselves and our communities. young men need to step up and be fathers to their children (obama spoke to the importance of this), our attitudes have to change, how we live, how we eat, and that education is crucial.

people don't know they're enslaved until they become aware they're enslaved.
- assata shakur

the march started off down international blvd. i continued on with the crowd for an hour before i ducked out to use the restroom at pollo loco. i went on with my evening, feeling satisfied that it was a positive gathering. the march continued into downtown and a rogue group of kids set it off; setting dumpsters on fire, smashing parked cars, and completely undermining the point of the protest. they were not defending, just being defiant. but i understand. youth should be defiant. yet still seeing young men go off; the others become ever more other and away and nothing changes. people tend see only the horde of aggressive young black men a scary entity and not a sum of individuals too hyped up to articulate themselves. the human mind can be better swayed by words than violent action. what can inspire more - a poem or vengeance?

i encounter many students in the public school system that i wish were my own sons. this is a hard country for young black men. i can't imagine a more complex, yet dignified purpose than trying to raise one to be a man.

calvin capitalist lemonade pig : V1N3


click on image to read strip. poetry!!

Tuesday, January 6, 2009

i *heart* let the right one in: V1N3


magnet releasing

it may seem morbid, but my favorite movie of all time is night of the living dead, which i've been fascinated with since i was 8 years old. my love of 'night' transposed into the british gothic horror films of the 60s and 70s, and the slasher movies of the 1980s. i was enthralled with the vampire chronicles until it got ridiculous (even for fiction) with 'queen of the dead'. i put it to rest after book III. but i will always love a yummy vampire story.

last year a friend in sweden sent me a link to a film preview for 'let the right one in'. she said she loved the book (by John Ajvide Lindqvist) the film is based on, directed by Tomas Alfredson. the clip fascinated me, but it was only screening in san francisco at the lumiere, an independent theater, some months later.

forward to january and i finally watched 'let the right one in' and it blew my mind. it's an odd pre-teen, living-dead love story set against the backdrop of blackeberg, near stockholm. it's winter and oksar, a lonely, geeky kid is tormented at school and antagonistic towards his divorced parents. then one night outside of his apartment building, he meets eli, a girl the same age as he, but....is she?

this is the freaks and geeks version of twilight, which much more heart.

from the production design, costumes, and music, it looks as though the story takes place in the 1908s, which is aesthetically interesting. (i like the garage band 45s oskar listens to). many shots are beautifully composed and every visual detail is considered; the composition of the buildings, neon signs, cups of tea, the rosy cheeks of his sadistic schoolmates, the blue of a parked volvo bounces off oksar's blue gym shorts (a heart wrenching scene). it's speaks to anyone who ever felt the misfit as a kid and longed for that special, secret friend.

the film has a subtle, quiet pace; with moments that make you gasp. if you blink you could miss something that will leave an indelible impression on your psyche. did i just see that?

several times during the film you'll be on edge. i'm not going to give away the ending, which completely tripped me out. it is of the most cool and gruesome visual narratives i've seen in a horror movie in a long time. classic!

in swedish with english subtitles

Let the Right One In

Monday, January 5, 2009

why can't we do that?! : V1N3

French TV ditches prime-time ads

tres lisse, sarkozy.

the myth + the madness : V1N3



excellent article in the NYT by Michael Lewis and David Einhorn about why our financial system wigged out. although, i'd add it's not just a systemic failure; we have failed ourselves as a culture that has put way too much value on wealth and consumption. sure wall street wigs are culpable, but so are we and in that we need to humble ourselves; switch up our game. stop blindly consuming and re-use!

The End of the Financial World as We Know It.

Thursday, January 1, 2009

what am i listening to? :V1N3


cantoma is an alias for London DJ Phil Mison. his debut of the same name is most exquisite mash-up of dub, spanish guitar, bossa nova, parisian accordion, with a sprinkle of aural soundscape. the most chill background music that catches your attention. quieres una puesta del sol?

Cantoma - Essarai